Karla met Jonas during a summer vacation at the lake. After being unable to stop thinking about him and their kiss she phones him, making up a school assignment about children living in an orphanage, which is precisely where Jonas lives.

Twelve-year-old Karla testifies in court. She makes serious accusations against her own father, who should have guaranteed her safety. Judge Lamy supports her in this difficult trial and becomes her most important confidant.

Cameron a womanizing executive gets more than he bargained for when he hires Karla as his personal assistant prior to his upcoming wedding.

Karla invites Katrine to spend the holidays with her, hoping they might become best friends. As it turns out, nothing goes as planned. Karla meets Jonas and falls in love for the first time, and she nearly forgets all about Katrine. However, the two girls are forced to put their difficulties aside for a while, as they join Jonas in exposing a local gang of thieves.

A verité portrait of Jonas Mekas making his daily rounds, JONAS shows us the underground impresario attending a peace rally, filming in Central Park, typing up notes at the Village Voice and projecting his latest rushes at the Film-Makers' Cooperative. A true New Yorker, Mekas seems to be everywhere at once, always with a Bolex camera slung over his shoulder. In detailing these routines, director Gideon Bachmann comes away with a striking time capsule of a city bent on art.

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JONAS is a fictional character study laced with supernatural accents. After mysteriously washing up on a desolate stretch of coastline, Jonas (Gregg Gilmore) sheds his sinful past and is guided to the City of Angels. Intuitively, he knocks on the doors of those in need of a powerful message.

Jonas is 18-years-old and has had to repeat several years of his education. His acceptance into Brandenburg's Paul Dessau Comprehensive School is his last chance at getting any qualifications. The experimental film project 'Jonas' is mix of fiction and documentary. It was shot during actual lessons at a comprehensive school in Brandenburg. It uses the teachers and pupils of the school, and stars Christian Ulmen as Jonas. The aim of the project was to capture the influence of an artificial figure in a real space. Made with a subtly wry smile, this is a fascinating study of the school system, puberty, love and music.

Faced with a sobering death sentence of execution by lethal injection, a convicted murderer and former prostitute embraces religion, marries a prison minister and focuses on making the most of her last days on Earth.

Director Jonas Vaitkus speaks boldly, openly and politely in front of the cameras. This is how he talks about his long career. It dares to expose itself, without missing the creator's suffering, nor the endless doubts, nor the indescribable joy of success. Fights with actors and Shakespeare remained side by side in the memory of the 70-year-old Maestro. This is his story. From the first premiere to the last performance.